Welcome to Flutter Photography


intro

Welcome to Josh Laverty’s blog.  You’ll find a mishmash of all sort of random stuff from recent work to general musings.  Please check out his Website at www.JoshLaverty.com or Keep up with his latest work on facebook

Creative Cloud and the Open Source


A large part of my workflow, as a photographer, happens after the lights are put away, and after the camera is turned off.  At that time it is my job to make use of a “virtual darkroom”.  By this I mean Post Processing.

What I will not be providing in this article, is a breakdown of my own workflow.  What I will provide is some thoughts about the current generation of tools and some options for people who don’t do this for a living.

For staters, let me share with you one of my principle guides in establishing my workflow: I set a tool up to do its job, then I don’t change it until the job changes.

What this translates into is when I setup an editing machine, the last thing I want to do mid project is update, change software or try to make it do something else.  This is to minimize risk and in some experiences, the updating process denying access to older project files or changing a tool set. Computing these days is significantly more stable than what I remember from my old 486 sx and the first untread lands of pentium processors.  Operating systems and hardware have come a long way to bring power and stability to digital imaging.  Now imagine that despite using a certain tool for many years, another tool came into the market, usurped the leading market share and then once it had convinced that large portion of the market that it was the only tool, it becomes a subscription service.  How would that effect my guiding principle?

My principle heads into some problems with this format, in that if you were to enter into this subscription, the value it provides of constant updates to keep you at the leading edge, and the necessity that you are constantly online could in fact defeat that principle.  It won’t necessarily do so, seeing as how you can just turn off the updating, and you don’t have to use all of the creative suite, but the benefit of subscription then begs the question of why didn’t I just purchase a program to be done with it?  Is it saving me money?  Does it make my job faster and more profitable, or inprove my product? What kind of problems could occur if I just go along with that value of having the company’s warm and comforting cloud symbol in the upper right corner reminding me that I am in the creative heights and on the leading edge of tools for my work?

Here’s the first principle behind subscription to be aware of:  Customer Familiarity. What I’m referring to is that by creating an expectation of value and where it lies in the product, a manufacturer can control and retain their customer.  It’s a hook.  An example would be in making a similar product to your competitor, but making it function with a different language or arrangement by design.  In this way your customer feels uneasy or out of place using the competitor’s product.  It is not a reflection of the tool’s ability, but the interface being foreign.  Subscription has the power to do the same thing; Instead of seeing the value in the software as being based on the software’s performance, stability and ultimately its final output, the subscription service itself is what bears the value in the marketing pitch.  This creates in the customer’s mindset, the illusion that the subscription itself is the valuable piece.  It’s like being part of a club where the people pay for the access to software, rather than the software itself – and this provides a powerful motivation to demand that service; which if not provided by competitors excludes them from meeting the customer’s perceived need.

The Real Value

Let’s not kid ourselves here, even if I don’t like the subscription model, it does have some powerful merits for the right person that I am truly excited about.  I’ve had some really good conversations with a friend who uses this subscription service for all the right reasons, and I’ve seen it work in the right circumstances myself.   Let’s look at some of those:

  • Capital VS Operating Expense: Instead of a Capital Expense, a regular subscription becomes an Operating Expense which makes the Creative Suite a financially viable solution for some not-for-profit outfits and some businesses.  The risk is that you will be paying this in a contract arrangement similar to a cell phone contract, whether you are using it or not, on an annual basis.  It is a form of debt that if your business closed its doors can cause problems for you.
  • Many Applications:  When you look at the robust options of applications that work almost seemlessly together, all in one place, it equates to a real financial saving over buying all of them individually (if you could).
  • Multi-user synergy:  There are many ways to syncronize the efforts of a creative team and the Creative Cloud offers some of those tools integrated into the suite.  This can save time and energy, which equates to profit, from your design process while enriching your return.

The Big Let Down

Herein lies the rub for someone like me:  What happens when you only use one or two of their products, work on the ethic of setting it up and leaving it, and continue to produce a consistent product for several years?  Or what if you don’t do this for a living, as in a hobby, and don’t have budget lines and capital expenses to reduce?  These users are left without a licensed option from the company.

Let’s compare the cost of buying a sinlge program for $500, and using it for 5 years. Your cost is $8.34/m.

Now if you were on the most basic subscription for one App for 1 year minimum, your cost is $19.99/m, more than double, and subject to annual change.  (Adobe didn’t adopt subscriptions to make less money).

Does a hobbiest want that kind of ongoing expense?  And for the proffessional, what is the tangible difference in the software?  does it improve your workflow?  Do you use the new tools?  I’ll be blunt, what I can do in photoshop has gotten more robust over the years, but the tools I use have not changed in 5 versions of releases.  In fact, tools I used in Corel photopaint more than 10 years ago are still the same tools used today for the majority of what we do.  The primary reason I have a current version of software on a machine is more closely linked to the operating system needed by the new computer hardware.  We have this abundance of ideas that are flooding the app markets of smartphones and tablets, and a proliferation of alternate workflows that the new operating systems embrace but do any of them tangibly increase the productivity or quality of the product?

Free Goods – The Open Source and Other Options

For the people out there that wish to maintain more control over their workflow, and don’t want to have to pay a steady stream of money to allow you participate in your hobby, here are some of my favorite tools:

Image Editing Tools:

wilber

Gimp

Gimp – The free, open source alternative to photoshop.  Powerful but uses a different language.  Learn the language and contribute to the community and you’ll feel at home in no time.

Pixlr – The Free online image editor.  A little sluggish when working with large files, but for simple editing and for anyone at home on Photoshop or Gimp, this is an easy tool to make use of.  Workspace is similar to Paintshop Pro X (which is sadly PC only).

Paintshop Pro X – While not on the same level as photoshop for plugins and composite editing, it is my hope that Corel will bring this back to its respected place in the editing world.  With Photoshop gone subscription, there is a large market share for an inexpensive and powerful image editing product that would allow complex masking and paths.  I would put this in line with or better than PS Elements – More than enough for most photographers but critically not on Mac at this time.

 

Vectors:

Corel – It is worth noting Corel as an alternative since their Painter X, CAD and Draw programs, even the video editing isn’t bad, have been around for many many years.  I learned Corel Draw more than 15 years ago, and it is still a competent vector program.  It is worth mentioning that Corel routinely puts their software on sale and you can save hundreds of dollars as most of their tools can be bought for less than $100 CAD.

Inkscape – The Free opensource vector tool.  Its native format is SVG, and while it is not on par with illustrator, it has a strong community and will produce professional results in the right hands.

Serif Drawplus – Another commercial quality vector program.  Note that Serif has free stripped down versions of most of their software though it seems all of it is PC only.

RAW Processing:

 

Raw Therapee

Raw Therapee

Raw Therapee – I gotta say, I’m fairly new to this one, but I am impressed.  It appears to handle detail extremely well and allows for multiple monitors and using your own file system with a non-destructive process with tagging, ratings and colour coding (Note that this means your tethering software can feed directly into it without a proprietary database).  Batch editing and other great tools are here too though there is no localized editing.  The default screen layout is not what I like, but this is easily customized in the preferences panel.  As I am just learning, I can’t vouche for plugins or supported cameras, though at this point I have had no problems.  Raw Therapee is significantly faster, but lacks the editing tools of Aperture – though it has the ability to send an image to an external editor at the click of a button.

Darktable – Though I haven’t got this running on my mac, it is another free option that from the demos I’ve seen looks solid

Aperture – Mac Only, Aperture is basically iPhoto with a little extra horsepower.  The downside for me is that I have very low expectations from it outside of a batch raw processor.  My macs are just too slow to make full use of the software due to the filesizes I’m working on. – If your mac uses an integrated graphics chip, I wouldn’t advise it.

Video

Yes believe it or not, there are ope source video editors!  Are they any good?  Surprsingly yes.  Now there are free editors that come on your machine like iMovie and Windows movie maker.  They cut and splice sure, but can they produce professional results?  These ones do.

VLMC – Not out at the time of this writing, however if it is anything like the VLC player from VideoLAN, I have high hopes.

Blender – Okay so this isn’t a video editor perse, but it is an animation and effects program that is extremely powerful and FREE

Lightworks – Can’t go here without bringing this one up.  This is free, and the free version has some restrictions but the full paid version is less than $300 if you buy it outright, OR a modest subscription budget of only $8/month.  I have high hopes for the mac version because this is seriously good software.  Final Cut Pro is starting to show its age, and with my macs coming to a point of needing to be replaced in the next year or two…  So How good is it?  Recognize any of these titles?

 

Audio

Audacity – Can’t believe I missed this one in the first writing of this.  Audacity is capable, while not as robust as other major suites like Logic Pro, it is often as much as you need.

So in the end, are there other options for the designer out there?  Yes, and darn good ones too.  So let’s price out a suite including a video, vector and graphic editor like the photoshop/illustrator/premiere setup many hobby and avid users would want…

 

Free Professional Results option:

Gimp, Inkscape, Raw Therapee and Lightworks

Paid Option:

Paintshop Pro X6 $60-$99, Inkscape or Corel Draw ($499-$549), Raw Therapee, Lightworks Pro $279 – Total: $378 – $927 or the cost of 1 1/2 years on the low end to 3 years on the high end, of a subscription for one creative suite product.

This isn’t in any way to denigrate the Creative Cloud, and I want to reiterate that for some people, it is a great solution.  For the hobbyist out there, these open source and inexpensive options are getting better and can produce great results.  One thing that I hope comes from the Adobe switch to subscription based service is the strengthening of the open source community, to continue to drive the creative freedom artists have to push the envelope.  Many great artists are not found in the business world, and these tools are there for them.

God At Work


It’s been some time since I’ve updated this blog.  It has sat on something of a back-burner for the past year or so.  A lot has happened, as might be expected, but let me give you a highlight.

Late last year I was approached to take on a project to equip and implement a media integrated program for a church.  One of the aspects of the program would be to source, shoot, edit and produce a number of mini-documentaries that tell a story of God working in people’s lives.  This weekend we publicly released the second of these stories.

It has been a curious journey to be given access to some very personal topics in people’s lives.  The first story I was to tell was about a young woman with a diagnosis of terminal cancer.  This time around we’ve been working to tell the story of a young couple who couldn’t have children, and the challenges around it.

Here is Chris and Kitty, and God at Work.

Shot with a combination of Black Magic Cinema camera EF Mount, Sony A77 and Nikon D800 cameras.

AB800 VS StarFlash 300 Comparison


They’re new and Shiny, so let’s see how they compare!  I look forward to using these new lights and forming a more thorough opinion of them in the future. Click the picture to see the Comparison.

PFSF300

A Bag of live Bait and 4″ of Ice


Not long ago, I was challenged to photograph a stranger. Someone I don’t know at all. Not hard for a professional right? I photograph people all the time that I don’t know. But this challenge was different, it was to take myself out of my comfort zone, and approach someone out of the blue, to photograph at that moment. This, if you know me at all, is very much out of character for me.

Between appointments last week, I had some time, and while I wasn’t outfitted for it, I was in need of an escape from the city. Christmas break saw my family in Oro, enjoying the snow and clean air found at the side of Lake Simcoe. Returning to Scarborough served to contrast the beauty of where I was, and where I am. Spying a few fishermen on the ice promised a fresh perspective.

When I lived in Port Sydney, there were always fishermen on the ice of Mary Lake, their huts huddled together as though around a camp fire at night. It wasn’t a past-time I understood, but instead was an annual fixture on the lake, blending into the background of my life. This day, on Frenchman’s Bay, would be a good day for a walk on the ice.
Walk on the Ice
It was by a small hole in the ice that I met Ryan and his Colleague Charlie; Sometime co-workers, and friends. Charlie was introduced to fishing on the Rouge by co-workers, and it was with reluctance that he took up the winter past-time of ice fishing. Bundled in thick, one-pice snowsuits and heavy boots, these men patiently showed me some of the ropes of what they do.
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“You’ll find everything here” they tell me. Perch and Trout aplenty. “You can fish a whole lake and find nothing, but in one spot you’ll pull them out all day.” Says Charlie. Ryan sets a bait in one hole, then starts another with his Auger. “Mind the Auger” says Charlie, “It’s sharp”. It has to be to cut through 4″ of ice in seconds.

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They use some specialized equipment, Ryan has his Fishfinder setup off of a D-cell battery pack and measures the depth to be 7′. “It gets deeper further out.” Says Charlie. He sets his 2 hooks in his own hole a little further out. He has a weight that sits on the bottom, and the hooks are set on the same line far enough apart to avoid them tangling. I talk some with Ryan and find out he’s from downtown Toronto, while Charlie comes from Stouffville. “Tommorrow” he says, “There’ll be 20, 30 guys out here.” Tomorrow would be Saturday. A weekend hotspot, with a community of its own. A common escape from their urban lives, to a different world atop the thin frozen waters that border the city. The men share a little of how they have made new friends on the ice in its own community, and that born into that community is the competitive spirit to catch the most, if not the biggest fish. A ringing of bells causes Charlie to snatch up his rod. “Fish on” I say, using the only bit of fishing lingo I know.

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He pulls out a small colourful fish. I make a feeble guess that it’s a small mouth displaying even more ignorance. He laughs, “It’s a perch. Really good to eat, they’re delicious.” He says with energy. “This one’s a couple of french fries.” “You’ll keep it?” I ask. “Oh yah” He says, “They’re really good.” Ryan drops in some more live bait to attract something of his own.

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Not long after, I beg my leave. I have to get to another appointment, but my time on the ice has reinvigorated my day. I remember that food comes from many places outside of a grocery store. I remember that only on the doorstep of the city of Toronto, there is found a different world, with men who still know how to sit patiently in the cold, stoic in their resolve to catch the next big one.

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GoPro3 Coming!


Super stoked at this camera, check out this promo vid, so many “woah” moments in so little time, and Superbly edited. Though those mermaid shots are… a little weird at times… The whale is super cool.

 

I love having kids


In the midst of doing some isolated shots of some concepts and product, my two wonderful kids decided it was their turn to be photographed.  While it’s very easy to get tied up in what you’re doing, I have to admit that rarely am I so acutely aware of how blessed I am to be self-employed as a time like this.

Adventures in Sony Repair Service


If you’ve read any of my blog, you may have noticed that I have had a lot of repair service from Sony.  My A900, My CZ 24-70 2.8 and now infamously, my A77 body has seen the Sony Repair Department here in Toronto.  Now to be Fair, all of these repairs have been handled through the hands of Henry’s camera store here, either in Scarborough, or Pickering.  Items are sent to a central processing in Henry’s to confirm the problem before being sent to Sony for repair.

The bad news with my A77 started the first week of use, when the Sync port popped out of the camera body when removing the sync cord.  It was immediately sent off for repair under warranty.  When it returned, I took it out for some macro shooting and realized in the process of it being repaired, the AF selector dial on the front of the camera was disconnected inside. (Indicated by the repair notice received on return).  I now got to use the camera for a couple of months before the Mic stopped working in Romania.  This time the repair went through quickly, only a couple of weeks, but when it returned it was worse than when I sent it out.  This time, out of the bubble wrap, at the counter, the LCD screen and AF were unresponsive, and did nothing.  It appeared to the staff, and to myself, that the camera was now even worse off than when it had been sent out.

So now I was sitting here with an A77 that had been sent for repair 3 times, and was going out for a 4th repair in 8 months; of which time I had only gotten to use the camera for a couple of months.  It was time to bypass Henry’s and contact Sony.  There’s nothing quite like holding a repair order that says “cleaned and tested” and a camera whose rear LCD screen is broken.  I felt like I had been the subject of a cruel joke.

Sony “quickly” escalated the situation to a service manager, and I received a call 1 week later after calling 3 times.  He offered a new camera body, however here was my predicament. I had purchased the extended warranty for the camera, covering it up to 5 years against defect.  Now with a new camera body, I would only have the camera warrantied for 2 years.  The solution was obvious, just transfer the warranty.  Now Henry’s could have done this, but the store manager in Scarborough was unwilling to do so.  Sony couldn’t be held to the warranty since they didn’t sell me the warranty.  My issue with Sony was their repair department had essentially broken the camera one me, and their service was terrible.  My issue with Henry’s was that the manager was unwilling to fix the situation well within his power.

Enter Henry’s head office.  Contact with a gentleman from Henry’s head office was via a BCC ‘d email to Sony.  The response was within 1 hour I got an email and a call.  The next day I was in the store with a brand new A77 and a transferred warranty.  Once again, Henry’s warranty has been stellar, and I have to applaud them on it.

Sony on the other hand has lost some of its grace from me.  The abismal repair service was not only shameful, but downright ridiculous.  It is with a sincere hope that the A77 I had was just a bad body, and that the new one will hold up well.  I am not thrilled by the idea of sending it in for repair in the future.  I am looking with fascination on the other camera manufacturers out there, and look forward to a split system in the future.

Thanks again Henry’s, you’ve proven to have some excellent staff and Service in Toronto.

Back from Romania


Wow, a great trip to Romania with loads of pictures and video.  We flew from Toronto to London, long lay over in London before flying to Budapest and driving to Ghioroc.  Same route back, but instead of going into London, we hung around Heathrow and visited Windsor Castle on the way back.  God is amazing and we saw 20 kids accept Christ.  Additionally, it was such a blessing to meet people who’s child accepted Christ at the camp the team ran last year, and now their whole family is saved and were baptized the week before all together.  Amazing testimonies of God’s strength and provision from Marcel and Family.  Here’s a sample of some of what we saw and did, a ton of editing to do before this project is wrapped up:

Portable Interview Lighting


Looking for a Portable solution for video interviews and other convenient purposes, I was intrigued by these LED panels that you can get.  So to try it out for the first time, and on a budget, I picked up a couple of 126 LED panels from China for a total of ~$40 each.  At that cost, I figure I can try a few of them and still be ahead whether they work or not.

Here’s a frame pulled from a first test.  Key light in line with face, background light behind subject to camera left.  Both have dimmers on them making ratios a breeze and they run off of the same batteries as my Sony camera bodies, so no extra kinds of batteries to fuss over.

Hopefully I can run some tests to see the battery stamina and if they last under working conditions.

-J-

Drops in Time


At some point, every enthusiast, and thereby every professional photographer, experiments with unusual techniques.  Given some inspiration from Alex Koloskov’s Mastering Splash, I finally got around to playing with some splash.

Inspiration:

 

I shot 2 different ways here. Shooting traditionally with the A900, high speed sync and 4 flashes, and then I cheated one with 60fps HD video out of the A65. You can tell.  It’s not bad though, for web use I can get away with it for some ideas, that is until web browsing moves into the HD era.

Studio space was a mess with water everywhere, food colouring all over my hands… So much fun. I can’t wait to integrate some of this into some other projects.

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